Da Vinci’s Vitruvian Man is subjected to a continuous process of transformation, aswell as human bodies in medicinical context. The familiar image of the idealised, proportioned body in art history becomes unstable: fragmented, multiplied and reconfigured through digital hypermorphal manipulation. davinci.med reflects on bodily norms, ideals and systems of representation, questioning the apparent universality of a body that has historically been defined through measurement, proportion and standardisation within both disciplines and uses those two inherent methods of opening and closind bodies for artistic research.

2020

Acquisition, Landesgalerie Burgenland

2017

Die Ordnung der Dinge, Krankenhaus der Barmherzigen Schwestern, Linz